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expose-the-light:

Ink Wants to Form Neurons, and an Artful Scientist Obliges

1. The Secret of Shimmer

Dunn has been recently been playing with iridescence, adding more colors while still allowing the metals to shine. This painting of the cerebellar lobe is an example of his newer work.

Listening to him explain iridescence, you can see how his scientific background factors into his art: “[Iridescence] is when you have small crystalline patterns at the microscopic level which break up the incoming light and distribute it a different way, and so you get light coming into your eye from different angles in just a planar surface,” he explains. Dunn gets his paintings to shimmer and change under different light with a special technique he developed—and which he keeps under his hat.

2. The Fractal Solution to the Universe

In his second year of neuroscience grad school, Greg Dunn was moonlighting with a different kind of experiment: blowing ink across pieces of paper. The neuron-like pattern it formed was instantly recognizable to him as a neuroscientist. “Ink spreads because it wants to go in the direction of less resistance, and that’s probably also the case of when branches grow or neurons grow,” he says. “The reason the technique works really well is because it’s directly related to how neurons are actually behaving.”

Dunn calls this the “fractal solution to the universe,” which he sees as the “fundamental beauty of nature.” He’s fascinated that this branching pattern holds true across orders of magnitude, whether that’s nanometers for neurons, centimeters for ink, or meters for a tree branch.

3. Asian-Inspired Art

The branching tree motif of Asian art is especially fitting for Dunn’s neuron paintings. Simplicity is key: “What I love about Asian art is that you boil away all the unnecessary crap, and you’re left with an expression of an idea that’s done with spontaneity and grace.” There is nothing extraneous here in this painting of two pyramidal cells, a type of neuron found in the cerebellum and hippocampus.

4. Artistic Creation, Scientific Method

Before he ever touches a brush, Dunn mocks up his paintings in Photoshop, setting the composition and color scheme. Paintings, like a set of experiments, must be planned through in advance. “If the silhouette isn’t great, that painting will never be great. You’ve got to build on a strong foundation,” he says. “That’s true of science as well.”

The curled structure depicted here is the hippocampus, one of the most-studied parts of the brain. It has an integral role in memory and spatial navigation. The famous patient HM, who’d had his hippocampus removed, was unable to form new memories.

fuckyeahmolecularbiology:

The Incredible Eye

The eye stands as a testament to the effectiveness and magnitude of what can be achieved through natural selection. These extraordinary false-colour SEM images of the human eye were the brainchild of Professor Pietro Motta at the Institute of Human Anatomy of the University La Sapienza in Rome.

Top Left: Surface cells on the iris of the eye. Pigment cells (melanocytes, blue and brown) can be seen here, joined loosely together by connective tissue fibres (white). Smaller macrophage cells dot the surface.

Top Right: Lens of the eye. Lens cells run diagonally (dark green) across this field of view. The transparency of the lens (width 4 millimetres) is due to the absence of nuclei in these cells, and to the crystalline precision of their arrangement.

Centre: The inner surfaces of the iris and adjoining structures in the human eye. At far right (blue) is the edge of the pupil, the hole that allows light into the eye. Coloured mauve is the iris which controls the size of the pupil and therefore how much light will enter. The band of folds down the centre (red) are the ciliary processes.

Bottom left: The surface of the cornea. The matrix- like pattern (seen here) consists of individual flattened transparent cells. This is a stratified squamous epithelium which is 5 cell layers deep. Although full of nerves, there are no blood vessels in the cornea.

Bottom right: The human retina featuring the central fovea, a crater-like depression in the photosensitive layer of the eye. The foveal retina is the area of greatest visual acuity and contains only cone receptor cells. When an eye looks at an object, that part focused on the fovea is the portion most accurately registered by the brain.

All image credit goes to Professor Pietro Motta and Science Photo Library.

staceythinx:

The Fibonacci Sequence As Seen in Flowers gallery by Environmental Graffiti is a math and history lesson wrapped in a pretty package of flowers.

fuckyeahfluiddynamics:

Fluid motion is captured as a floral still life in these high-speed photos by Jack Long. The artist keeps mum about his set-up but notes that these are single capture events, not constructed composites. It looks as if the blossoms are created from the impact of a falling fluid with the upward jet that forms the stem. The leaves and vase appear to be created from upward splashes, but whether those are generated by vibration or dropping an object is unclear. See Long’s Flickr page for more. (Photo credit: Jack Long via Gizmodo)